劳瑞斯·切克尼

Spin-orbits (128), 2018, aluminium modules, 133 x 121,5 x 10 cm. Ph Ela Bialkowska.

Monocrystals in diagramatic fuzziness (125), 2018, aluminium modules, 183,5 x 152 x 10 cm. Ph Ela Bialkowska.

Sound fossils in the Holocene garden, 2018, 7 elements in Carrara marble, marble sand, diameter 120 cm

The Ineffable Gardener, exhibition view 常青画廊, 圣吉米那诺. Ph Ela Bialkowska.

Dromocrones (Annunciation in 3 frequencies), 2018, thermoformed acrylic glass, iron frame, 125 x 90 x 25 cm. Ph Ela Bialkowska.

Dromocrones (Telluric reverb), 2018, thermoformed acrylic glass, iron frame, 204 x 125 x 25 cm. Ph Ela Bialkowska.

The Ineffable Gardener, exhibition view 常青画廊, 圣吉米那诺. Ph Ela Bialkowska.

μgraph reliefs (Sand ripples), 2018, poliurethane, epoxy resins, nylon fibers on aluminium, 179 x 298 cm. Ph Ela Bialkowska.

μgraph reliefs (Aluminium Foam), 2018, poliurethane, epoxy resins, nylon fibers on aluminium, 197 x 148 cm. Ph Ela Bialkowska.

μgraph reliefs (Paracethamol), 2018, poliurethane, epoxy resins, nylon fibers on aluminium, 197 x 148 cm. Ph Ela Bialkowska.

μgraph reliefs (Diamond crystals), 2018, poliurethane, epoxy resins, nylon fibers on aluminium, 197 x 148 cm. Ph Ela Bialkowska.

I must have seen things 1, 2018, watercolor on Canson paper 300 gr in thermoformed PETG, 63,2 x 83 cm. Ph Ela Bialkowska.

I must have seen things 7, 2018, watercolor on Canson paper 300 gr in thermoformed PETG, 38,5 x 34 cm. Ph Ela Bialkowska.

Gaps (Bookshelf) II, 2018, polyester resin, wall paint, 180 x 180 x 23 cm. Ph Ela Bialkowska.

Waterbones (Green Sponge + L System), 2018, 2000, stainless steel modules, sound produced by Alessio de Girolamo. Ph Ela Bialkowska.

Telluric Geometry I, 2018, casted aluminium, 30 x 50 x 80 cm. Ph Ela Bialkowska.

Blaublobbing, 2006-2017, trasparent PVC, wire rope, motors, lights, variable dimensions, Ph Oak Taylor-Smith

Blaublobbing, 2006-2017, trasparent PVC, wire rope, motors, lights, variable dimensions, Ph Oak Taylor-Smith

Zooffice, 2001, Lambda print, silicone, Plexiglas, 120 x 180 cm, Ph Oak Taylor-Smith

Fingertips III, 2017, Carrara marble, 70 x 65 x 25 cm, Photo Ela Bialkowska, OKNO Studio

Fingertips III, 2017, Carrara marble, 70 x 65 x 25 cm, Photo Ela Bialkowska, OKNO Studio

Wallwave vibration (complex conjugate throbs), 2012, polyester resin, paint, Ø 100 x 5 cm, Ph Oak Taylor-Smith

Wallwave vibration (yours symmetric relation), 2012, polyester resin, paint, Ø 100 x 5 cm, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, stainless 
steel elements, Photo Matteo De Fina

Waterbones, 2017, stainless 
steel elements, Photo Matteo De Fina

Waterbones, 2017
, stainless steel elements, Photo Matteo De Fina

Waterbones, 2017
, stainless steel elements, Photo Matteo De Fina

Waterbones, 2017
, stainless steel elements, Photo Matteo De Fina

Waterbones, 2017
, stainless steel elements, Photo Matteo De Fina

Sequential interaction in alfaalfa chorus ( sequence 97), 2017
, stainless steel 316
, 159 x 25 x 125 cm

The Garden’s Jewel, 2016, Tree-­house/Sculpture shell  in  polyester  resin,  steel,  glass,  covering  skin  in  stainlees  steel  welded  modules. Photo Simon Quentin

The Garden’s Jewel, 2016, Tree-­house/Sculpture shell  in  polyester  resin,  steel,  glass,  covering  skin  in  stainlees  steel  welded  modules. Photo Simon Quentin

The Garden’s Jewel, 2016, Tree-­house/Sculpture shell  in  polyester  resin,  steel,  glass,  covering  skin  in  stainlees  steel  welded  modules. Photo Simon Quentin

The Garden’s Jewel, 2016, Tree-­house/Sculpture shell  in  polyester  resin,  steel,  glass,  covering  skin  in  stainlees  steel  welded  modules. Photo Simon Quentin

Sequential interactions in alfalfa chorus (sequence 91), 2016, stainless steel, 100 h x 125 x 35 cm

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Peeling paints (Cyan), 2016, epoxy resin, acrylic, nylon fibers on Dibond, acrylic paint on thermo-moulded laser cutted PETG, 3 elements 250 x 180 cm, Photo Oak Taylor-Smith

Peeling paints (Cyan), 2016, epoxy resin, acrylic, nylon fibers on Dibond, acrylic paint on thermo-moulded laser cutted PETG, 3 elements 250 x 180 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 stainless steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones (W69), 2015, stainless steel modules, 116 x 113 x 15 cm

The polychrcmeseedsessions (collection 1), 2015, natural seeds encapsulated in polycarbonate UV protected, wood and metal frame, 201 x 151 x 5 cm

The polychrcmeseedsessions (collection 1), 2015, natural seeds encapsulated in polycarbonate UV protected, wood and metal frame, 201 x 151 x 5 cm

Sentimental seismographies (Every word has consequences. Every silence too. Jean-Paul Sartre),, 2015, lasercutted synthetic felt, velvet, watercutted steel, 58 x 99 x 21 cm, Photo Oak Taylor-Smith

Sentimental seismographies (Every word has consequences. Every silence too. Jean-Paul Sartre),, 2015, lasercutted synthetic felt, velvet, watercutted steel, 58 x 99 x 21 cm, Photo Oak Taylor-Smith

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

Waterbones (shamble humble diagram), 2016, stainless steel 316 modules, variable dimensions with the space, Photo by: Ela Bialkowska

Waterbones (shamble humble diagram), 2016, stainless steel 316 modules, variable dimensions with the space, Photo by: Ela Bialkowska

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (emotional iterative algorithm), 2012, polyester resin, paint, Ø 100 x 5 cm, Photo Veronica Tronnolone

Wallwave vibration (emotional iterative algorithm), 2012, polyester resin, paint, Ø 100 x 5 cm, Photo Veronica Tronnolone

Sinapsis paradigms and Micrologies IV, 2012, stainless steel welded modules, 48 x 78 x 230 cm

Sinapsis paradigms and Micrologies IV, 2012, stainless steel welded modules, 48 x 78 x 230 cm

Origami occidentale II, 2011, stainless steel modules, approx. 180 x 170 x 160 cm, Photo Alicia Luxem

Gaps, 2006, resin, poliester, wall paint, 310 x 165 x 25 cm each, Photo Paolo Leoni